Tag Archives: Netflix

Netflix Threatens to Boycott Georgia if Abortion ‘Heartbeat’ Law Goes into Effect

Netflix has become the first Hollywood studio to speak out against the recent spate of state laws putting restrictions on abortion, especially that from the State of Georgia where a burgeoning film industry resides.

A growing list of individuals and groups in and outside the film industry are agitating against Georgia, including director Reed Morano and actors Alyssa Milano, Elizabeth Perkins, and Mark Hamill. Organizations such as the Producers Guild of America and the ACLU have also called for boycotts of Georgia over the state’s new “heartbeat” abortion law that bans abortion after a fetal heartbeat can be detected (usually around the fifth or sixth week of pregnancy).

Despite the growing chorus of protesters in the film industry, no studios have taken up the cause until now. Netflix has become the first studio to speak out against the abortion laws. The company was the only studio to respond to a request for a statement by industry newspaper, Variety.

“We have many women working on productions in Georgia, whose rights, along with millions of others, will be severely restricted by this law,” Ted Sarandos, Netflix’s chief content officer, told Variety. “It’s why we will work with the ACLU and others to fight it in court. Given the legislation has not yet been implemented, we’ll continue to film there, while also supporting partners and artists who choose not to. Should it ever come into effect, we’d rethink our entire investment in Georgia.”

Cable TV network Starz has also made what might be considered a glancing response to the abortion law in Georgia by announcing a donation to pro-abortion groups while airing its series, P-Valley, which was filmed in the Peach State. However, Starz would not make any more specific comments in response to Variety’s questions.

The Motion Picture Association of America has also made a statement on the situation in Georgia but has only said it is monitoring events there. The MPAA has not announced any particular goals or issued any specific condemnations. The MPAA did note the human impact of the film industry in Georgia, noting that Georgia reported 92,000 film industry jobs and more than $9 billion in film production spending.

Source: by Warner Todd Huston | Breitbart

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Disney’s Iger: “Very Difficult” To Film In Georgia After Abortion Law

 

“I don’t see how it’s practical for us to continue to shoot there.”

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Creepy New Netflix Show Sexualizes Children While Pedophilia Runs Rampant In Society (video)

(Walking Times) There is a cultural revolution taking place right before your very eyes. It involves the overturn of sexual values and an agenda to normalize pedophilia.

The signs are everywhere.

Major sex-trafficking rings and pedophile prostitution networks are being exposed with shocking regularity. The Catholic church is involved at the highest levels, and Hollywood insiders continue to speak out about the dark side of the entertainment industry. Gender neutrality is the new buzz word and sex robots are the latest in must have consumer devices. Free speech and truth news is being censored from the internet while pornography is utterly pervasive all over the web, widely available to children. Meanwhile members of the political class and global elite continue to be exposed as pedophiles and sexual predators.

Against this backdrop, Netflix is pushing the boundaries of what is culturally acceptable with a new comedy about the sexuality of children.

Exploring the primary theme of puberty, Big Mouth is a new show by producer Nick Kroll in which a cartoon cast experiences the changes that come at this awkward stage in life. Although this subject is undoubtedly uncomfortable for young people, and is traditionally taught by parents and/or sexual education programs in schools, the new show turns puberty into a comedy for adults.

As noted by Vigilant Citizen:

“For some bizarre, disturbing and upsetting reason, the sexualization of children is also part of that agenda. Slowly but surely, new content keeps pushing the envelope, slightly going too far, chipping away at moral decency to make the sexuality of children fair game.

Why? Because Hollywood and the world elite are full of children lovers and they want to normalize their derangement.”

This view is not the mainstream however, and most big media organizations are praising and happily promoting this show, in spite of the fact that the 3 minute trailer features some truly disturbing moments.

Here, a father explains to his son that it’s okay to kiss a penis.

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Speaking to Time magazine, Kroll explains a bit, saying, “As open as society is, there are still certain things that we feel like are too awkward to talk about, and those are the things that we wanted to zero in on specifically.”

He goes on about the creative leeway he was given by Netflix, pushing their limits to find the right balance of perversion and acceptability for a network which recently featured Bill Nye’s now infamous episode of Bill Nye Saves the World onThe Sexual Spectrum,’ introducing the concept of gender neutrality to kids.

“Netflix gave us incredible latitude in going for it. In fact, [they] encouraged us at almost every stage to just go for it. In that first episode, Nick sees Andrew’s penis. Now there aren’t probably a ton of animated shows where you’d see a 13-year-old boy’s penis. But it’s incredibly important to the story that you see this other boy’s penis and how it makes him feel because his penis doesn’t look like that yet.

There [was] one moment in [a different episode] where Netflix was like, “Hey this is too far.” I won’t even explain it because it was too graphic. And we agreed, we were on the same page. We knew we had an opportunity to show and talk about stuff that really has never been discussed as directly as we hoped to do. So we leaned into it.”

Here, a very creepy grown male monster with a penis shaped nose invades the boys’ bedroom to tell them about nocturnal emissions.

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And here, a young girl has a conversation with her vagina.

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No longer bound to the strict traditionalist formats of broadcast television, producers no longer have to use subtlety to promote an agenda, and in this case the agenda is changing the sexual values of a society to normalize the once perverse. Furthermore, as this show is aimed at adults, it serves to legitimize children’s sexuality as a form of entertainment.

Television programming is called programming because it seeks to program the cultural values of a population. It is social engineering, and when looked at in the context of the world today, a show like serves to further the agenda of sexual perversion and predation in a society which is already on the brink of moral annihilation.

Watch the disturbing trailer for yourself, here:

Source: New World Order Report